At a fevered time roiled by anxiety and hatred, what more healing antidote is there than love? Tulsa native and respected multi-instrumentalist Jared Tyler’s third album, Dirt on Your Hands, celebrates romance, to be sure, but also the grounded, loyal love of family, friends, and characters who illuminate one’s life with lightning-bolt intensity.
Thematically, it builds on 2010’s Here With You, which was informed by Tyler’s mounting dismay over the country’s direction. “I felt like, ‘Hey, y’all, wake up, it’s all about love,’” he recalls. Dirt on Your Hands is a rootsier, more compositionally focused Americana set bookended by paeans of devotion to his partner, and livened by sparkling romps (“Lucky I Am,” the pedal steel-washed “Fort Gibson Lake,” the Dobro-grooving title track) that dispense homegrown wisdom passed down by Tyler’s grandparents. At times he sounds like Darrell Scott’s kid brother, vividly evoking cherished people (“Gwendolyn”) and places (the beautifully melodic “Norway”) with his soulful tenor and nimble fretwork on guitar, Dobro, mandolin and ukulele. The longtime Malcolm Holcombe sideman also warmly interprets two of his boss’ songs, with gravelly harmonies from Holcombe himself.
Tyler has recorded eight albums with the “super inspiring” Holcombe (two of which he produced) and toured with him throughout North America and Europe, opening for the likes of Billy Bragg, Merle Haggard, Shelby Lynne and Wilco. On his own, Tyler has opened for Karl Denson and Nickel Creek, and relished performing onstage alongside heroes Emmylou Harris and Buddy Miller after Harris sang on his 2005 album Blue Alleluia.
Those enlightening experiences burnished Tyler’s artistry, and readied him for a broader stage on which to share his openhearted stories. Dirt on Your Hands is his most relaxed, truly realized album, recorded live in the studio with guitarist Kenny Vaughn, bassist Dave Roe and drummer Dave Dunseath, with additional contributions from virtuosic fiddler Casey Driessen, harmonica player Jellyroll Johnson, songwriter/pianist John Fullbright, clarinetist Mike Cameron, slide guitarist Seth Lee Jones and pedal steel player Roger Ray. Elements of bluegrass, country, gospel, pop, swing and Hawaiian music joyfully color images from Tyler’s past, and suggest a vision for his musical path forward.
Although the affable Tyler twice lived in Nashville, he’s now happily rooted with his partner in the supportive Tulsa community where he grew up singing in church, and where his grandfather taught him to play mandolin. It was there, too, that he developed his songwriting craft and performance chops alongside peers like Fullbright, Parker Milsap, Stoney LaRue and John Moreland (who invited Tyler to play on his last two records). He says Tulsa’s “humble nature” is what separates it from other music enclaves: “We’re all in it together. There’s gentle competition for gig slots and all that, but we’re all friends.”
Born and raised in Wythe County in southwest Virginia, Sam Gleaves performs innovative mountain music with a sense of history. Under the direction of local teacher and barber Jim Lloyd, Sam took up stringband instruments as a teenager, including the banjo, guitar, fiddle, autoharp and dulcimer. With his mentor ballad singer Sheila Kay Adams, Sam found his voice and fell in love with the mountain love songs, which he carries into his generation with pride. Sam’s performances combine traditional Appalachian ballads, dance tunes, original songs and the stories that surround the music.
Sam earned a degree in Folklore from Berea College and performed for four years with the Berea College Bluegrass Ensemble, directed by Al White. With that band and as a solo artist, Sam has toured extensively, performing at U.S. venues such as Mountain Stage and the Woodsongs Old Time Radio Hour, and abroad in Ireland, England, Italy, Canada and Japan. Sam has performed with legendary artists in the folk realm, including John McCutcheon, Peggy Seeger, Mary McPartlan, Cathy Fink and Marcy Marxer, and Sheila Kay Adams.
Sam writes new songs in the Appalachian tradition, telling stories about love, the home place, working people and present social issues in the mountains. Appalachian author Lee Smith has deemed Sam as “courageous as hell and country to the bone . . . the best young songwriter around.” Sam’s music has been featured by National Public Radio, Kentucky Educational Television, West Virginia Public Radio, Appalshop’s WMMT FM, KEXP, Exclaim!, The Windy City Times, Sing Out!, The Bitter Southerner, and Still Journal. AIN’T WE BROTHERS, Sam’s debut record of original songs, is produced by Cathy Fink and was released November, 2015. AIN’T WE BROTHERS has been reviewed by National Public Radio, No Depression, and The Bluegrass Situation. Peggy Seeger called AIN’T WE BROTHERS, “A stunning first album,” saying, “I keep very few albums that I am given. This one’s a keeper.”